In the next two superior installments, Gibson's Mad Max assumes the mantle of lone wolf-turned-reluctant hero. Driven but cagier than in future stories, the titular anti-hero gets played more as a feral vigilante here. George Miller and Mel Gibson seem to be planning this road trip as it goes. In this R-rated thriller, a vengeful Australian policeman (Gibson) sets out to stop a violent motorcycle gang in a self-destructing post-apocalyptic world. It's more dialogue driven and stagy than the superior follow-up, The Road Warrior, and shares only basic DNA with Fury Road, but it sets a winning grindhouse cinema tone that carries through to this day in top shelf form. Staging Fast & Furious-level hot-rod blockbusting on a Two-Lane Blacktop budget, this origin tale exhibits a biting - albeit offbeat - sense of humor and balletic violence that rightly earned it an instant cult status. It was shot mostly on the cheap, but you wouldn't know it.
#IS THERE A MAX PAYNE 2 MOVIE MANUAL#
Make sure your camera can set a manual focus or focus lock.More grindhouse than post-Apocalypse wheelhouse, this drive-in adrenaline rush established a blockbuster brand and put Mel Gibson on the map. On the other hand, if your camera is perpendicular to the drawing surface, you might be able to drop your f-stop to reduce your depth of field and make up for the increased light by reducing your ISO.Įdit edit: Also, you do *not* want auto-focus in a case like this. If you are making the pattern over a very large area, where the S2 gets significantly close or far from the camera, you might need to increase your f-stop.
#IS THERE A MAX PAYNE 2 MOVIE ISO#
If you can block out all ambient light, you might be able to increase your ISO rating. The choice of f-stop and ISO is going to depend on your particular setup. In a case like this, the exposure time is about the only thing that is fixed. Lower ISO settings are particularly important for getting good dynamic range during long exposures.Įdit: note that this is all a balancing act. A higher number allows the CCD to pick up more light, but also more noise. In digital cameras, the ISO setting basically equates to gain control of the CCD.
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Note also that setting the ISO to something like 200 or less can also make a difference. In this case, it is helping to reduce the ambient light as much as possible (without also reducing the LED's light too much). Normally, you'd use this kind of f-stop in sunny, well-lit conditions. * a large depth of field, so the LED should stay in focus the entire time shutter priority mode, with the shutter speed set to several seconds). If you don't have a bulb setting, you can usually get close with a long exposure setting (i.e. Not sure about point-n-shoot types these days. You will see this feature on SLRs, though not usually the cheapest ones. * Bulb basically means the shutter was manually held open for the duration of the run. Indeed! Also, what ISO setting did he use?
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My hubby says he used "bulb and f20" and said camera people will understand that. I was originally only trying to see if a time lapse of a moving LED would work for using on a drone to make 3D spirals. It was such a simple idea and so easy to implement that I was startled at the results when I saw the first picture. I think his camera is a Canon T4i and he had a Canon EFS 18-135mm lens on it mounted on a tripod. It was a time lapse which he started and stopped at the same time I started and stopped the robot. I know zilch about photography, it is his hobby. As for the photography I will get my husband to tell me how he set his camera. I have to wait for night time to do the photography because there are too many skylights in my house to make any room completely dark. I moved the light to a better place and will redo the spiral squares tonight also. You can see that in this picture where the light is only about 1/2 inch off the pivot point. One reason I did not use the built in LEDs is they did not produce a real good looking light streak in the picture and they are way off the pivot point of the robot which changes the way the spirals look. And yes Whit the programming port was lit up from light bleed. Erco, I will be photographing a figure eight tonight.